Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Look at 90s Rave Culture
Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a hilariously staged rampage on the woodland paths that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish cinemas from 17 November.
